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Chord diagrams for some common chords in major-thirds tuning. In music, a chord diagram (also called a fretboard diagram or fingering diagram) is a diagram indicating the fingering of a chord on fretted string instruments, showing a schematic view of the fretboard with markings for the frets that should be pressed when playing the chord. [1]
DSCH is a musical motif used by the composer Dmitri Shostakovich to represent himself. It is a musical cryptogram in the manner of the BACH motif, consisting of the notes D, E-flat, C, B natural, or in German musical notation D, Es, C, H (pronounced as "De-Es-Ce-Ha"), thus standing for the composer's initials in German transliteration: D. Sch. (Dmitri Schostakowitsch).
Scott Joplin's "The Entertainer" is written in C major. Many musicians have pointed out that every musical key conjures up specific feelings. [5] This idea is further explored in a radio program called The Signature Series. American popular songwriter Bob Dylan claimed the key of C major to "be the key of strength, but also the key of regret". [6]
Partita for keyboard No. 4 in D Major, BWV 828, is a keyboard suite by Johann Sebastian Bach, originally dated 1728. [1] It is the fourth suite in his Clavier-Übung I.
D [1] is a musical note a whole tone above C, and is known as Re within the fixed-Do solfege system. Its enharmonic equivalents are C (C-double sharp) and E (E-double flat). It is the third semitone of the solfège.
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).
Compositions in D major (1 C, 242 P) Compositions in D minor (2 C, 171 P) ... Pages in category "Compositions by key" The following 2 pages are in this category, out ...
Ex. t - s - D - tCp Em - Am - B - C where C is located a major third below Em Ex. T - S - D - tCp F - Bb - C - Db where Db is located a major third below the minor tonic Fm In four-part harmony, the Tcp usually has a doubled third to avoid consecutive fifths or octaves. This further emphasises its coherency with the tonic, since the third of ...