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Symphony No. 2 De fire Temperamenter ("The Four Temperaments"), Op. 16, FS 29, is the second symphony by Danish composer Carl Nielsen, written in 1901–1902 and dedicated to Ferruccio Busoni. [ 1 ] [ 2 ] It was first performed on 1 December 1902 for the Danish Concert Association, with Nielsen himself conducting.
This would form the basis of the Five Temperaments theory by Dr. Richard G. and Phyllis Arno, in which the ancient temperaments were mapped to the FIRO-B scales (in all three areas), with Phlegmatic becoming the moderate e/w instead of low e/high w, which was now taken to constitute a fifth temperament called "Supine", which has many of the ...
18th-century depiction of the four temperaments: [1] phlegmatic and choleric above, sanguine and melancholic below The four temperament theory is a proto-psychological theory which suggests that there are four fundamental personality types: sanguine, choleric, melancholic, and phlegmatic.
Far from just a bookish movie director, he has adopted many of cinematic modes of his heroes, Tarkovsky and Bergman, and translated them into his own unique and still evolving vernacular.
What is poignant about “This Life of Mine” — the final film by French writer-director Sophie Fillières — is all but impossible to extract from the beleaguered circumstances of its creation.
Mine is a 2016 psychological thriller war film written and directed by Fabio Guaglione and Fabio Resinaro, in their feature film directorial debuts.It stars Armie Hammer as a United States Marine who is walking on an unmapped minefield during a botched mission when one fateful step makes his heart sink as he hears a click underfoot and tries to remain still until help arrives.
The Four Temperaments or Theme and Four Variations (The Four Temperaments) [1] [2] is an orchestral work and ballet by Paul Hindemith. Although it was originally conceived as a ballet for Léonide Massine , [ 1 ] the score was ultimately completed as a commission for George Balanchine , who subsequently choreographed it as a neoclassical ballet ...
To say “Sin” is about Michelangelo is much too reductive. Rather than offering up a definitive portrait of the Italian artist, Russian director Andrei Konchalovsky has crafted instead He’s ...