Search results
Results from the WOW.Com Content Network
The chord progression is also used in the form IV–I–V–vi, as in songs such as "Umbrella" by Rihanna [5] and "Down" by Jay Sean. [6] Numerous bro-country songs followed the chord progression, as demonstrated by Greg Todd's mash-up of several bro-country songs in an early 2015 video.
"Wide Open Road" is a single released in 1986 by Australian rock band The Triffids from their album Born Sandy Devotional. [1] [2] It was produced by Gil Norton (Pixies, Echo & the Bunnymen, Foo Fighters) and written by David McComb on vocals, keyboards and guitar.
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
A chord is inverted when the bass note is not the root note. Additional chords can be generated with drop-2 (or drop-3) voicing, which are discussed for standard tuning's implementation of dominant seventh chords (below). Johnny Marr is known for providing harmony by playing arpeggiated chords.
Its chord changes undergird the Charlie Parker/Miles Davis composition "Donna Lee", one of jazz's best known contrafacts, a composition that lays a new melody over an existing harmonic structure. Lesser known contrafacts of "Indiana" include Fats Navarro 's "Ice Freezes Red" [ 5 ] and Lennie Tristano 's "Ju-Ju".
"Sad Eyed Lady of the Lowlands" is a song by the American singer-songwriter Bob Dylan. First released as the final track on Dylan's seventh studio album, Blonde on Blonde (1966), the song lasts 11 minutes and 23 seconds, and occupies the entire fourth side of the double album.
Frank Sinatra appeared on the Your Hit Parade program on December 23, 1944 and performed this song, which at the time was the #1 song in the country. The arrangement, written by both Lowell Martin (the first section of the arrangement) and Billy May (the second part including the shout chorus) was conducted by Axel Stordahl and the Lucky Strike Orchestra.
"Hard Times Come Again No More" (sometimes, "Hard Times") is an American parlor song written by Stephen Foster. It was published in New York City by Firth, Pond & Co. in 1854 as Foster's Melodies No. 28.