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Minimal music (also called minimalism) [2] [3] is a form of art music or other compositional practice that employs limited or minimal musical materials. Prominent features of minimalist music include repetitive patterns or pulses , steady drones , consonant harmony , and reiteration of musical phrases or smaller units.
Erik Satie, seen as a precursor of minimalism as in much of his music. For example, his score for Francis Picabia 's 1924 film Entr'acte consists of phrases, many borrowed from bawdy popular songs, ordered seemingly arbitrarily and repetitiously, providing a rhythmic counterpoint to the film.
The work is based on poetry by John Donne and Emily Dickinson and is regarded as one of the key compositions of Adams' "minimalist" period. [ 1 ] The work was premiered by the San Francisco Symphony and San Francisco Symphony Chorus, with conductor Edo de Waart , on 15 April 1981, and subsequently recorded it. [ 2 ]
Stephen Michael Reich (/ r aɪ ʃ / RYSHE; [1] [2] born October 3, 1936) is an American composer best known as a pioneer of minimal music in the mid to late 1960s. [3] [4] [5] Reich's work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. Reich describes this concept in his essay, "Music as a Gradual Process", by ...
Terrence Mitchell Riley (born June 24, 1935) is an American composer and performing musician [1] best known as a pioneer of the minimalist school of composition. [2] Influenced by jazz and Indian classical music, his work became notable for its innovative use of repetition, tape music techniques, improvisation, and delay systems. [2]
Minimal music albums (23 C, 15 P) C. Minimalist composers (60 P) Minimalistic compositions (8 C, 34 P) G. Minimal music groups (3 P) Pages in category "Minimal music"
Minimal music (4 C, 10 P) Minimalist clothing (14 P) W. Minimalist writers (21 P) Pages in category "Minimalism" The following 31 pages are in this category, out of ...
Johnson considered himself a minimalist composer, and was the first to apply this term to music in his article "The Slow-Motion Minimal Approach", written for The Village Voice in 1972. His minimalism is of a formalist type, depending mostly on logical sequences, as in the 21 Rational Melodies (1982), where he explored procedures such as ...
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