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"Cirrus Minor" has an unusual chord sequence: E minor, E flat augmented, G major, C♯ minor 7, C major 7, C minor 7 and B 7. The chords are built around the chromatically descending bass line. The B 7, C major 7 and G major chords are the only chords which fit into the functional context of the E minor key.
One night, she finds a drunk man named Lloyd sleeping in a shed on her property, but allows him to stay when he denies any knowledge of the killings, eventually inviting him into her guest room. Lloyd helps her with the flock, and encourages her to go into town and visit the pub more often, but she is resistant, preferring to be alone.
The song is in the key of F major although it sounds like it is in E-flat major due to the way the guitars are tuned. [5] The refrain is simply a rhythmic chant based on the phrase "I'm a Bluebird" sung by McCartney with Linda and Denny Laine providing harmony . [ 1 ]
Some birds will respond to a shared song type with a song-type match (i.e. with the same song type). [24] This may be an aggressive signal; however, results are mixed. [23] Birds may also interact using repertoire-matches, wherein a bird responds with a song type that is in its rival's repertoire but is not the song that it is currently singing ...
A flock of birds is teaching their young chicks to fly. The sun is shining, and all the birds are cheerfully singing. Meanwhile, a boy is having fun with an air rifle, shooting at everything in the house and destroying many of the items in the house. He then goes out into the garden and shoots at the nest that the birds have barely saved.
He also recorded Jean Ritchie from Viper, Kentucky singing The Cuckoo is a Pretty Bird in New York in 1949. [18] Hamish Henderson recorded Willie Mathieson from Ellon, Aberdeenshire, singing The Evening Meeting in 1952. [19] Max Hunter recorded Mrs Norma Kisner of Springdale Arkansas, singing a fragment of Unconstant Lover in 1960. [20]
The Blues for Alice changes, Bird changes, Bird Blues, or New York Blues changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues. The progression uses a series of sequential ii–V or secondary ii–V progressions, and has been used in pieces such as Parker's " Blues for Alice ".
Scherzinger recorded almost all of her second album Big Fat Lie with Terius "The-Dream" Nash. Scherzinger also worked with Christopher "Tricky" Stewart on second album Big Fat Lie. will.i.am featured on and produced Scherzinger's single "Baby Love" as well as collaborating on songs for his 2013 album #willpower.