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The lyrics are in classical Urdu, written by the Pakistani Urdu-language poet Hafeez Jalandhari in 1952. No verse in the three stanzas is repeated. [ 2 ] The lyrics have heavy Persian poetic vocabulary, [ 17 ] and the only words derived from Sanskrit are "ka" ( کا [kaˑ] 'of'), and "tu" ( تو [tuˑ] 'thou').
Dhaani, the first song of the album is a blend of Faisal's groovy voice and Bilal Maqsood's guitars. Next in line is " Najane Kyun ". It's a soft number, which gives the signature sound of Strings followed by "Kahani Mohabat ki" and "Mera Bichara Yaar".
S M Sadiq in Chandigarh, Punjab, India in 2002. Sheikh Muhammad Sadiq (Urdu: شیخ محمد صادق) or S M Sadiq is a Pakistani lyricist and a poet whose written songs frequently have been sung by Ustad Nusrat Fateh Ali Khan, and other singers like Attaullah Khan Esakhelvi, Aziz Mian, Shabnam Majeed, Shahid Ali Khan and Arif Lohar.
Duur (Urdu: دور, literal English translation: "far") is the third album by the Pakistani pop band Strings, first released on 21 January 2000 and then re-released on 1 January 2002. Singles from the album were Duur , Anjane , and Aankhain .
Along with N. M. Rashid, he was a leading poet of the group Halqa-e Arbab-e Zauq, which broke away from the classic convention of radeef and qafia, explored the rich resources of blank verse and Free Verse, rejected the confines of the socially "acceptable" and "respectable" themes, rejected the stranglehold of Persianised diction, and explored ...
On 16 January 2021, It was reported that Aima Baig, Naseebo Lal, and Young Stunners will be singing the official anthem for the sixth edition of PSL. [2] The lyrics for the EDM-anthem have been written by Adnan Dhool reflecting the realities of COVID-19 pandemic for TV audience and feel of cricketers; and it is composed by Xulfi. [3]
Taan (Hindi: तान, Urdu: تان) is a technique used in the vocal performance of a raga in Hindustani classical music.It involves the improvisation of very rapid melodic passages using vowels, often the long "a" as in the word "far", and it targets at improvising and to expand weaving together the notes in a fast tempo.
There are common settings wherein ghazals take place that usually shape the circumstances of the ghazal's meaning. [20] The Garden (bagh), where the poet often takes on the personage of the bulbul, a songbird indigenous to the Middle East and South Asia. Traditionally, this is a metaphor expressing desire for union with the divine. [35]