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The Hymn of Jesus, H. 140, Op. 37, is a sacred work by Gustav Holst scored for two choruses, semi-chorus, and full orchestra. It was written in 1917–1919 and first performed in 1920. It was written in 1917–1919 and first performed in 1920.
The best known left-hand concerto is the Piano Concerto for the Left Hand in D by Maurice Ravel, which was written for Paul Wittgenstein between 1929 and 1930. Wittgenstein, who lost his right arm in World War I, commissioned a number of such works around that time, as did Otakar Hollmann .
Left to right: chalice, torch, lantern, sword, flagellum, pillar of flagellation, Veronica's veil, 30 pieces of silver, dice, reed sceptre, hand which struck Christ, torch, pitcher of gall and vinegar. The Cross on which Jesus was crucified , either depicted alone or with the crosses of the two thieves; The Crown of Thorns
Left-hand pizzicato or Stopped note A note on a stringed instrument where the string is plucked with the left hand (the hand that usually stops the strings) rather than bowed. On the horn, this accent indicates a "stopped note" (a note played with the stopping hand shoved further into the bell of the horn). In percussion this notation denotes ...
The Vingt Regards sur l'Enfant-Jésus ("Twenty Contemplations on the Infant Jesus") are a suite of 20 pieces for solo piano by the French composer Olivier Messiaen (1908–1992). The suite is a meditation on the infancy of Jesus .
Antiphon 2: His Left Hand Is Under My Head, and His Right Hand Doth Embrace Me; Antiphon 3: I Am Black but Comely, O Ye Daughters of Jerusalem; Antiphon 4: Lo, the Winter Is Past; Antiphon 5: How Fair and How Pleasant Art Thou; Ave Maris Stella 1: When the Salutation Gabriel Had Spoken; Ave Maris Stella 2: Jesus Tender Mother, Make Thy Supplication
The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing. The other 3 notes of the chord are voiced as closely as possible below the melody note, which is the definition of a block chord. [1] The left hand doubles the melody note one octave lower.
Paul Wittgenstein at the piano. In preparing for composition, Ravel studied several pieces written for one-handed piano, including Camille Saint-Saëns's Six Études pour la main gauche (Six Études for the Left Hand) (Op. 135), Leopold Godowsky's transcription for the left hand of Frédéric Chopin's Etudes (Opp. 10 and 25), Carl Czerny's Ecole de la main gauche (School of the Left Hand) (Op ...
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