Search results
Results from the WOW.Com Content Network
Dhani is a pentatonic raga in Hindustani classical music. [3] It is a sprightly raga often described as Bhimpalasi sans the notes, Dha and Re. It however has its own distinct character. Dhani is frequently heard in popular music. [1] This raga is also known as the romantic version of Raag Malkauns.
It is an audava rāgam (or owdava rāgam, meaning pentatonic scale). It is a janya rāgam (derived scale), as it does not have all the seven swaras (musical notes). Closer to Udayaravichandrika in Hindustani music is Dhani aka Gaundgiri. [1] [2] [3] But Dhani has N2 while Udayaravichandrika N3 in theory.
Sohniye", a unique and extremely jumpy number, is a treat to listen to. "Bolo Bolo" features Hariharan and 'Pal' featuring Sagarika has excellent background music and lyrics. "Chaaye Chaaye" is the liveliest. [2] According to Bilal, Dhaani is directly related to nature if you closely go through its lyrics.
Don't Sleep Brother, Don't Sleep) is a 1983 Indian Tamil-language masala film [1] directed by S. P. Muthuraman, starring Kamal Haasan in a double role, supported by Radha and Sulakshana. It was a blockbuster and completed a 275-day run at the box office.
Papa Kehte Hai: 1233 "Pyar Mein Hota Hai Kya Jaadu" Rajesh Roshan Javed Akhtar Papi Gudia: 1234 "Music-I Love The Beat" Naresh Sharma Sameer solo 1235 "Gudda Le Aaon Na" 1236 "Mujhe Tujh Se Kitna Pyar" Kumar Sanu 1237 "Aaj Sajke Niklee Hai" Gulshan Sarna Udit Narayan Prem Granth: 1238 "Jungle Mein Sher" Laxmikant-Pyarelal Anand Bakshi Vinod ...
Odi Vilaiyaadu Paapa was released on 25 September 1959, [1] and failed commercially. [4] Srinivasa Rao, editor of Narada magazine criticised Srinivasan for directing the film to show his prowess, and not giving any less financially well-off person or newcomer the chance to direct.
Gaana (or Gānā) is a genre of Tamil music, which is sung in the Madras Bashai dialect of Chennai, Tamil Nadu, India. [1] [2] It is rap-like "collection of rhythms, beats and sensibilities native to the Madras people."
Gasa (Korean: 가사) or kasa was a form of poetry popular during the Joseon period in Korea. Gasas were commonly sung, and were popular among yangban women. Jeong Cheol , a poet of the 16th century, is regarded as having perfected the form, which consisted of parallel lines, each broken into two four-syllable units.