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In literature, the paradox is an anomalous juxtaposition of incongruous ideas for the sake of striking exposition or unexpected insight. It functions as a method of literary composition and analysis that involves examining apparently contradictory statements and drawing conclusions either to reconcile them or to explain their presence.
Movement paradox: In transformational linguistics, there are pairs of sentences in which the sentence without movement is ungrammatical while the sentence with movement is not. Sayre's paradox : In automated handwriting recognition, a cursively written word cannot be recognized without being segmented and cannot be segmented without being ...
In the field of sociolinguistics, the term Observer’s Paradox was coined by William Labov, who stated with regard to the term: . The aim of linguistic research in the community must be to find out how people talk when they are not being systematically observed; yet we can only obtain this data by systematic observation.
A paradox is a logically self-contradictory statement or a statement that runs contrary to one's expectation. [1] [2] It is a statement that, despite apparently valid reasoning from true or apparently true premises, leads to a seemingly self-contradictory or a logically unacceptable conclusion.
In language change, analogical change occurs when one linguistic sign is changed in either form or meaning to reflect another item in the language system on the basis of analogy or perceived similarity. In contrast to regular sound change, analogy is driven by idiosyncratic cognitive factors and applies irregularly across a language system ...
Ivar Nilsson as the Fool in a 1908 stage production of King Lear at The Royal Dramatic Theatre in Sweden [5]. In his article "The Wisdom of the Fool", Walter Kaiser illustrates that the varied names and words people have attributed to real fools in different societies when put altogether reveal the general characteristics of the wise fool as a literary construct: "empty-headed (μάταιος ...
Cognition and language (Law of maintaining accuracy of information): Communication language should have the same amount of vagueness, as have information gained by cognition (source of the information). That means, language must be tuned to appropriate cognition considering vagueness. This is one of secondary tasks of vagueness.
The meaning of the poem is embodied in its sensual aspects of the arrangement, sound, and rhythm of the words, which are not translateable (an argument also made by Benedetto Croce). He compared a poem to a drama, which draws meaning from how it enacts ambiguity, irony, and paradox. [2] [3]