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Poetry analysis is the process of investigating the form of a poem, content, structural semiotics, and history in an informed way, with the aim of heightening one's own and others' understanding and appreciation of the work. [1] The words poem and poetry derive from the Greek poiēma (to make) and poieo (to create).
In 1991, for example, he received the Nigerian National Order of Merit Award for literary excellence and saw publication, by Howard University, of his two definitive volumes, The Ozidi Saga and Collected Plays and Poems 1958–1988. [11]
Poetic devices are a form of literary device used in poetry. Poems are created out of poetic devices via a composite of: structural, grammatical, rhythmic, metrical, verbal, and visual elements. [1] They are essential tools that a poet uses to create rhythm, enhance a poem's meaning, or intensify a mood or feeling. [2]
The letter was one of a diplomatic nature, it also contained poetry and an erudite understanding of Islamic law. This letter contains the earliest extant indigenous written poem produced in Nigeria. [60] Muhammad al-Maghili wrote On The Obligations of Princes in Kano for Muhammad Rumfa in the 15th century. Al-Maghili was a Berber from North ...
Panegyric poetry is seen during childbirth, love poems and rituals while elegiac poetry can be seen in times of war, burials and satirical poems. [50] One of the earliest attempts at writing Igbo poetry were made by the Church Missionary Society in 1934 with the translation of the Book of Common Prayer into Akwụkwọ Ekpelu nke Anekpelu Cuku ...
The Aláàrìnjó tradition influenced the Yoruba traveling theatre, which was the most prevalent and highly developed form of theatre in Nigeria from the 1950s to the 1980s. In the 1990s, the Yoruba traveling theatre moved into television and film and now gives live performances only rarely. [5] "Total theatre" also developed in Nigeria in the ...
Niyi Osundare is a Nigerian poet, dramatist, linguist, and literary critic. Born on 12 March 1947, in Ikere-Ekiti, [1] Nigeria, his poetry is influenced by the oral poetry of his Yoruba culture, which he hybridizes with other poetic traditions of the world, including African-American, Latin American, Asian, and European.
Odia Ofeimun (born 16 March 1950) [1] is a Nigerian poet and polemicist, the author of many volumes of poetry, books of political essays and on cultural politics, and the editor of two significant anthologies of Nigerian poetry. His work has been widely anthologized and translated and he has read and performed his poetry internationally.