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ThunderCats is a science fantasy animated television series, developed by Ethan Spaulding and Michael Jelenic for Cartoon Network. [2] A reboot of the original 1980s TV series of the same name (which ran from 1985 to 1989), ThunderCats was produced by American studio Warner Bros. Animation and animated by Japanese studio Studio 4°C, and combined elements of western animation with Japanese ...
The series subsequently began airing in its regular weekday time slot on September 9. In 1986, the series returned for a TV movie, ThunderCats - Ho!, which was subsequently aired as five separate episodes worked into the continuing rerun rotation of season 1. The entire series has been released on DVD, collecting both seasons across two box ...
Claudus (voiced by Earl Hammond in the original series, Larry Kenney in the 2011 series, Andrew Morgado in ThunderCats Roar) is the previous Lord of the ThunderCats and Lion-O's father, who lost his sight while fighting in a war against the mutants of Plun-Darr. After Lion-O is transported back in time to Thundera the day before it was ...
Part 2: Lion-O enters the pyramid to thank Mumm-Ra, only to learn he is evil while revealing the presence of the other ThunderCats on Third Earth. Mumm-Ra, explaining his Doomstaff grants him power while establishing a curse where anyone who says his name is struck by lightning, chains Lion-O up and uses a portal to attack the ThunderCats' new ...
The original series, which aired from 1985 to 1989, was revived for a single season Cartoon Network in 2011, and then again in 2020 under the title “Thundercats Roar.” But as a feature film ...
Cheetah, also known as Cheetah and Friends, is a 1989 American family drama film from Walt Disney Pictures starring Keith Coogan and Lucy Deakins. This motion picture was loosely based on Alan Caillou's novel The Cheetahs. It was shot in Nairobi, Kenya.
[2] [3] Also that year, the DC Zoom imprint "launched with the continuation of [the] DC Super Hero Girls" graphic novel line. [17] The DC Ink and DC Zoom imprints were built off both the creative success of the post- New 52 DCYou program, which "employed younger creators than the New 52 titles, with the titles having a more contemporary feel ...
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