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Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture from regions south of the Sahara was historically made of wood and other organic materials that have not survived from earlier than a few centuries ago, while older pottery figures are found from a number of areas.
With the 1994 exhibition of East African art objects in Germany, the organisers wanted to make "a previously unknown rich cultural landscape accessible to the wider public." The presentation of the sculptures as works of art from Africa was supplemented by art-historical and ethnological information in the accompanying catalogue. [7]
The metal pieces were made using lost-wax casting and are considered among the best African sculptures made using this technique. [21] Benin began to trade ivory, pepper, and slaves [ 22 ] with the Portuguese in the late 15th century and incorporated the use of manillas (brass ingots in the form of bracelets, bought from the Portuguese) as a ...
Early art-historical and archaeological records reinforce these strong affiliations with Ife culture as far back as the 14th century. [4] Yoruba kingdoms prospered until the slave trade and warfare of the nineteenth century took their toll. One of the effects of this devastation was the dispersal of millions of Yoruba all over the world.
In Sightlines, however, Thompson presents African art as valuable in its own right, offering thoroughly researched facts pertaining to each object’s era and place of origin, and—most ...
African art is produced using a wide range of materials and takes many distinct shapes. Because wood is a prevalent material, wood sculptures make up the majority of African art. Other materials used in creating African art include clay soil. Jewelry is a popular art form used to indicate rank, affiliation with a group, or purely aesthetics. [16]
Attempts to prevent further exports, prompted by Leo Frobenius, were successfully promulgated in 1938, when legislation was enacted by the colonial authorities. [8] Frobenius was a German ethnologist and archaeologist who was one of the first European scholars to take a serious interest in African art, especially that of the Yoruba.
One of the most common pieces of Akan art are the Akan goldweights. The gold weights were made of copper, bronze, and brass. They were cast using a method of casting known as lost-wax technique or "cire perdue". Goldweights were created for economic transactions involving gold.