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A Japanese hairstyle that consists of long straight hair that reaches at least below the shoulder blades with part of it cut to about shoulder-length and a fringe (bangs) that reaches the eyebrows. Jewfro: A Jewish variant of the 'Afro' hairstyle. Jheri curl: Hair that is curly and kept moist (or at least a wet-look maintained) by a Jheri curl ...
In the poodle hairstyle, the hair is permed into tight curls, similar to the poodle's curly hair (curling the hair involves time and effort). This style was popularized by Hollywood actresses like Peggy Garner, Lucille Ball, Ann Sothern and Faye Emerson. In the post-war prosperous 1950s, in particular, the bouffant hair style was the most ...
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The hairstyles were characterized by the large topknots on women's heads. Also, hairstyles were used as an expression of beauty, social status, and marital status. [8] For instance, Japanese girls wore a mae-gami to symbolize the start of their coming-of-age ceremony. Single women in Baekjae put their hair in a long pigtail and married women ...
Certain hairstyles were distinctive to particular tribes or nations. Other styles informed others of an individual's status in society. African people such as the Himba people of Namibia, Maasai people of Kenya have been braiding their hair for centuries. In many African tribes, hairstyles are unique and used to identify each tribe.
In fact, one popular theme during the era included three dots and dashes alongside the “V” which were on gloves, handkerchiefs, etc., and one variety of the hairstyle even included three small curls for the “dots” and one long curl for the “dash” while the bottom of the “V” began at the nape of the neck and continued on each ...
The bouffant, along with similar hairstyles like the pouf and the pompadour, represented an exclusive hairstyle of the upper socio-economic classes. The hairstyle was typically created in aristocratic wigs, which were adorned with feathers, ribbons, flowers, and jewelry, and accompanied by various headpieces, hats, and fascinators. [4]
In a continuous-line drawing, the artist looks both at the subject and the paper, moving the medium over the paper, and creating a silhouette of the object. Like blind contour drawing, contour drawing is an artful experience that relies more on sensation than perception; it's important to be guided by instinct. [2]