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Tubelining is a technique of ceramic decoration. It involves squeezing a thin line of clay body through a nozzle onto the ware being decorated. An alternative term is "slip trailing".
Chelsea porcelain factory, The Music Lesson, gold anchor, c. 1765, with bocage background. 15 3/8 × 12 1/4 × 8 3/4 inches, 22 lb. (39.1 × 31.1 × 22.2 cm, 10 kg). different version, different angle. Enamel was used in jewellery, applied to metal, from very early on - there are examples in the Tomb of Tutankhamun of c. 1325 BC. Enamel was ...
The movement was strongly linked with the fashion for national and international competitions and awards in the period, with the World's fairs the largest. America's first of these was the Centennial Exposition in Philadelphia in 1876, which "was a critical catalyst for the development of the American Art Pottery movement", both because American commercial potteries exerted themselves to ...
Ceramic art can be created by one person or by a group, in a pottery or a ceramic factory with a group designing and manufacturing the artware. [ 1 ] In Britain and the United States, modern ceramics as an art took its inspiration in the early twentieth century from the Arts and Crafts movement, leading to the revival of pottery considered as a ...
The painting is often applied to pottery that has been fired once, and may then be overlaid with a glaze afterwards. Many pigments change colour when fired, and the painter must allow for this. Glaze : Perhaps the most common form of decoration, that also serves as protection to the pottery, by being tougher and keeping liquid from penetrating ...
White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica , dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main ...
Islamic tin-glazed earthenware, with blue and white decoration, Iraq, 9th century.The Arabic calligraphy is ghibta, i.e. "happiness". [3]Blue glazes were first developed by ancient Mesopotamians to imitate lapis lazuli, which was a highly prized stone.
Lacquerware is a longstanding tradition in Japan [6] [7] and, at some point, kintsugi may have been combined with maki-e as a replacement for other ceramic repair techniques. . While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Kor