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Geoffrey Chaucer reciting before nobles. Troilus and Criseyde (/ ˈ t r ɔɪ l ə s ... k r ɪ ˈ s eɪ d ə /) is an epic poem by Geoffrey Chaucer which re-tells in Middle English the tragic story of the lovers Troilus and Criseyde set against a backdrop of war during the siege of Troy.
Diomede and Cressida, perhaps. The Testament of Cresseid is a narrative poem of 616 lines in Middle Scots, written by the 15th-century Scottish makar Robert Henryson. It is his best known poem. [1] It imagines a tragic fate for Cressida in the medieval story of Troilus and Criseyde which was left untold in Geoffrey Chaucer's version.
Coghill, N. (ed.) (1971: pp. xi–xxvi) "Introduction" in: Geoffrey Chaucer, Troilus and Criseyde, London: Penguin ISBN 0-14-044239-1. Discusses Chaucer, his sources and key themes in the Troilus. The main body of the book is a translation into modern English by Coghill. Foakes, R. A. (ed.) (1987) Troilus and Cressida (The New Penguin Shakespeare.)
The Tragedy of Troilus and Cressida, often shortened to Troilus and Cressida (/ ˈ t r ɔɪ l ʌ s ... ˈ k r ɛ s ɪ d ə / or / ˈ t r oʊ. ɪ l ʌ s /) [1] [2]), is a play by William Shakespeare, probably written in 1602. At Troy during the Trojan War, Troilus and Cressida begin a love affair. Cressida is forced to leave Troy to join her ...
Cressida depicted by Thomas Kirk. Cressida (/ ˈ k r ɛ s ɪ d ə /; also Criseida, Cresseid or Criseyde) is a character who appears in many Medieval and Renaissance retellings of the story of the Trojan War. She is a Trojan woman, the daughter of Calchas, a Greek seer.
"Il Filostrato" is a poem by the Italian writer Giovanni Boccaccio, and the inspiration for Geoffrey Chaucer's Troilus and Criseyde [1] and, through Chaucer, the Shakespeare play Troilus and Cressida. It is itself loosely based on Le Roman de Troie, by 12th-century poet Benoît de Sainte-Maure. Il Filostrato
Along with many of the major figures of the Trojan War, Thersites was a character in Shakespeare's Troilus and Cressida (1602) in which he is described as "a deformed and scurrilous Grecian" and portrayed as a comic servant, in the tradition of the Shakespearean fool, but unusually given to
The Legend of Good Women is a poem in the form of a dream vision by Geoffrey Chaucer during the fourteenth century.. The poem is the third longest of Chaucer's works, after The Canterbury Tales and Troilus and Criseyde, and is possibly the first significant work in English to use the iambic pentameter or decasyllabic couplets which he later used throughout The Canterbury Tales.