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By keeping the camera on one side of an imaginary axis between two characters, the first character is always frame right of the second character. Moving the camera over the axis is called jumping the line or crossing the line; breaking the 180-degree rule by shooting on all sides is known as shooting in the round. [1] 30-degree rule
Mise-en-scène (French: [mi.z‿ɑ̃.sɛn]; English: "placing on stage" or "what is put into the scene") is the stage design and arrangement of actors in scenes for a theatre or film production, [1] both in the visual arts through storyboarding, visual themes, and cinematography and in narrative-storytelling through directions. The term is also ...
Movement can be used extensively by film makers to make meaning. It is how a scene is put together to produce an image. A famous example of this, which uses "dance" extensively to communicate meaning and emotion, is the film, West Side Story. Provided in this alphabetised list of film techniques used in motion picture filmmaking. There are a ...
Where the camera is placed in relation to the subject can affect the way the viewer perceives the subject. Some of these many camera angles are the high-angle shot, low-angle shot, bird's-eye view, and worm's-eye view. A viewpoint is the apparent distance and angle from which the camera views and records the subject. [2]
A 3.5 mm coaxial camera jack named PC terminal, to synchronize external non-dedicated flashes (f.e. studio flashes), found on many more advanced camera models. Also may mean "Perspective Control" for a lens that has the ability to shift to tilt to control linear perspective in an image.
Leica camera (1950s) Hasselblad 500 C/M with Zeiss lens. A camera is an instrument used to capture and store images and videos, either digitally via an electronic image sensor, or chemically via a light-sensitive material such as photographic film. As a pivotal technology in the fields of photography and videography, cameras have played a ...
Hollywood was once the ultimate goal for many working in the film industry. But between strikes, scandals, and sinister secrets being revealed, Tinseltown seems to be losing some of its sparkle.
An experimental film camera was developed by British inventor William Friese Greene and patented in 1889. [9] W. K. L. Dickson, working under the direction of Thomas Alva Edison, was the first to design a successful apparatus, the Kinetograph, [10] patented in 1891. [11]