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High Plains Drifter is a 1973 American Western film directed by Clint Eastwood, written by Ernest Tidyman, and produced by Robert Daley for The Malpaso Company and Universal Pictures. The film stars Eastwood as a mysterious stranger who metes out justice in a corrupt frontier mining town. [ 4 ]
High Plains Drifter (1973) Surreal and sensational, this bizarro western feels like Eastwood’s riff on one of Sergio Leone’s revisionist oaters with a dash of religio-mysticism thrown in to ...
Marianna Hill (born Marianna Schwarzkopf; February 9, 1942) is an American actress who is known for her starring roles in the Western films El Condor (1970) and High Plains Drifter and the cult horror film Messiah of Evil (both 1973), as well as many roles on television series in the 1960s and 1970s.
He wrote the screenplay for the 1973 film High Plains Drifter, directed by and starring Clint Eastwood. Tidyman also wrote the sequel to Shaft, Shaft's Big Score, which appeared in theaters in 1972. In 1974, he published Dummy, a non-fiction account of the story of Donald Lang, an accused deaf-mute murderer.
High Plains Drifter: Mordecai Little Cigars: Slick Bender 1973 Gunsmoke: Arizona Episode:" Arizona Midnight " 1974 How to Seduce a Woman: Toulouse 1975 The Wild McCullochs: Charlie P. White House Madness: Secret Service Man 1976 Monster Squad: The Ringmaster Episode:" The Ringmaster " 1978 Loose Shoes: Menchkin 1982 Eating Raoul: Little Person 1984
Hear the first take of music from the guitarist's Portals EP, which arrives April 23rd. Metallica’s Kirk Hammett Shares New Song “High Plains Drifter” from Upcoming Solo EP: Stream Jon Hadusek
1973: High Plains Drifter as Preacher; 1973: The Man Who Loved Cat Dancing as Dub; 1973: Santee as J.C. 1975: Bite the Bullet as Reporter; 1975: The Boy Who Talked to Badgers as Burton; 1975: Take a Hard Ride as Skave; 1976: The Last Hard Men as Lee Roy; 1977: Damnation Alley as Man / Guard; 1979: Five Days from Home as Karl Baldwin; 1981 ...
In High Plains Drifter, that doubleness, which is the genius of such a story, is addressed, late, in the scene in which Sarah Belding, wife of the hotelier, converses post-coitally with the Eastwood character. She and he have the following exchange: