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The Gizmo, also called the Gizmotron, [1] is an effects device for the electric guitar and bass guitar.It was invented in 1969 [2] and patented by the English rock musicians Kevin Godley and Lol Creme in 1975, whilst they were members of the British rock group 10cc.
The hurdy-gurdy is a string instrument that produces sound by a hand-crank-turned, rosined wheel rubbing against the strings. The wheel functions much like a violin (or nyckelharpa) bow, and single notes played on the instrument sound similar to those of a violin.
The EBow, short for electronic bow or energy bow, [1] is an electronic device used for playing string instruments, most often the electric guitar. It is manufactured by Heet Sound Products of Los Angeles, California. It was invented by Greg Heet in 1969, introduced in 1976 and patented in 1978. [2]
Cigar box guitar; Classical guitar; Eight-string guitar; Electric guitar; Flamenco guitar; Guitalele; Harp guitar; Nine-string guitar; Octave guitar; Dobro; Seven-string guitar; Tailed bridge guitar; Tenor guitar; Ten-string guitar; Twelve-string guitar; Guitaro; Guitarrón argentino (Argentina) Guitarrón mexicano (Mexico) Guitarrón chileno ...
The Pickaso Technique refers to a unique method of bowed guitar playing introduced with the Pickaso Guitar Bow. Unlike traditional bows, which struggle with the guitar’s flat fingerboard radius, this technique allows players to move the bow within the guitar’s sound hole area, effectively bowing individual or dual strings on acoustic guitars.
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The bow can be held vertically and the screw of the bow placed firmly against a string either at the location of a fingered note or at some other point. The string can then be plucked with the right hand and the screw of the bow can be simultaneously dragged up or down the string. The effect of this is to produce a quiet rising or falling ping.
[citation needed] Squire was one of the first to run a Rickenbacker in stereo by splitting the signal, sending the signal through both a guitar amp and a bass amp. [9] Combined with his aggressive picking technique on Rotosound roundwound strings, the effect was a growling, grinding, "concrete mixer" tone that continues to be admired and emulated.
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