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"One for Sorrow" is a song by British pop-dance group Steps, released as the third single from their debut album, Step One (1998). It also became the quintet's first single to reach the top five on the UK Singles Chart .
Musically, "1 Step Forward, 3 Steps Back" is a tender downtempo ballad driven by a damp piano and subtle bass. Upon Sour 's release, "1 Step Forward, 3 Steps Back" received positive comments from music critics, who complimented its simplistic instrumentation and vulnerable lyrics. Commercially, the song reached the top 20 in Australia, Canada ...
"8-3-1" is a song recorded by British singer Lisa Stansfield for her 2001 album, Face Up. It was written by Stansfield, her husband Ian Devaney, Richard Darbyshire from the 80's band Living in a Box and British singer Charlotte. "8-3-1" was produced by Devaney and received favorable reviews from music critics who called it the best track on the album and also the set's most obvious hit, the ...
"Gimme Three Steps" is a song by American southern rock band Lynyrd Skynyrd, released from the band's debut album, (Pronounced 'Lĕh-'nérd 'Skin-'nérd) (1973). It was written by bandmates Allen Collins and Ronnie Van Zant. The single release contains the song "Mr. Banker" as a B-side.
The concept was notable for the fact that the videos for the two songs linked together. The video for "Here And Now" features the group making their way through a maze, until they reach the centre and perform the song's dance routine. At the end of the song, the centre of the maze morphs into a spaceship which then flies off.
This is the Story Behind the Song "Three Wooden Crosses" written by Doug Johnson and Kim Williams and recorded by Randy Travis.
"Better Best Forgotten" is a song by British pop group Steps, released on 8 March 1999. It was the final single to be taken from their debut album, Step One.The song became the group's fourth top-10 hit in the UK, peaking at number two on the UK Singles Chart, and it also reached the top 20 in Ireland and the Flanders region of Belgium.
The song's music video, directed by Mick Haggerty and C.D. Taylor, depicts Hall walking around a New York City street singing the song, interspersed with shots of him performing on a stage with Oates. Robert Christgau of The Village Voice named it the eighth-best video of the year in his ballot for the annual Pazz & Jop critics' poll. [4]