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Maybe Tomorrow is the debut album by British rock band Badfinger. Maybe Tomorrow is the only release under the band's original name as The Iveys. It was issued in 1969 on the Apple label in Japan, West Germany and Italy. Although the album was scheduled to be released worldwide, the release in the US and UK at that time was halted without ...
The Iveys were seen as a promising young Beatle-esque band by Apple Records, and the first single was chosen carefully.Ultimately, "Maybe Tomorrow" was chosen, in part because of the lush string orchestration added by producer Tony Visconti, and it was designated as Apple 5—the first single released by Apple after its initial, much-publicized release of four nearly-simultaneous singles at ...
Because the Iveys' Maybe Tomorrow album had been released in only a few markets, the band's three songs from The Magic Christian soundtrack album were combined with other, older Iveys tracks (including both of the Iveys' singles and five other songs from Maybe Tomorrow) and then released as Badfinger's first album Magic Christian Music (1970). [37]
"Maybe Tomorrow", by the Chords from So Far Away, 1980 ... Maybe Tomorrow, a 1973 Australian television film featuring Carole Skinner "Maybe Tomorrow" ...
The Iveys had a minor hit with "Maybe Tomorrow". [4] In 1969, Paul McCartney produced the song "Come and Get It" for The Iveys, who prior to its release, changed their name to Badfinger and replaced Griffiths with guitarist Joey Molland. [1]
Magic Christian Music is the second studio album by the British rock band Badfinger, released on 9 January 1970 on Apple Records.It was their first release under the Badfinger name, having previously released the album Maybe Tomorrow in 1969 under the name The Iveys.
Robert Jackson (born 6 January 1949) is an English rock musician most famous for being a member of Badfinger from 1974–75 and 1981–83, and of The Fortunes from 1995–2019. He currently tours under the name Badfinger in the United Kingdom.
Paul McCartney recorded a solo demo of the song on 24 July 1969, after arriving early for a Beatles recording session for their Abbey Road album. Singing the double-tracked lead vocal and playing all the instruments, he laid down the vocals and piano on the first take, sang again and played maracas on the first overdub, then added drums, and finally put in the bass guitar track.