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David Bowie would perform the song live with Tina Turner at the latter's 23 March 1985 concert at the National Exhibition Centre in Birmingham.This version was included on Turner's live album Tina Live in Europe three years later, and also released as a single in late 1988, then becoming a number-one hit in the Netherlands.
The title track is a duet with singer Tina Turner. The artwork, featuring Bowie blue-painted against an oil painting backdrop, was designed by Mick Haggerty. Supported by the singles "Blue Jean", "Tonight" and "Loving the Alien", Tonight was a commercial success, reaching number one on the UK Albums Chart. Critical reception was poor, with most ...
While promoting his 1977 album "Heroes", Bowie sang a duet, the Christmas song "Peace on Earth/Little Drummer Boy", with Bing Crosby (pictured in 1951) for Bing Crosby's Merrie Olde Christmas. RCA Records eventually released the duet as a single in 1982. [76] [77] Bowie was good friends with singer Iggy Pop (pictured in 1987) throughout
Duet is an album by trumpeter Lester Bowie and bassist Nobuyoshi Ino recorded in Japan in 1985 and released on the Paddle Wheel label. It features seven duet performances by Bowie and Ino. It features seven duet performances by Bowie and Ino.
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Five singles were released from Tina Live In Europe; "Nutbush City Limits", a cover of Robert Palmer's "Addicted to Love, "Tonight" with David Bowie, "A Change Is Gonna Come" and "634–5789" with Robert Cray, the most successful being "Addicted to Love" which has since become a mainstay in Turner's live repertoire and was later included on the European editions of her 1991 hits compilation ...
BEVERLY HILLS, Calif. (AP) -- David Bowie's duet with Bing Crosby on the entertainer's 1977 Christmas television special left an indelible impression on Crosby's teenage children. Harry, Mary and ...
The AllMusic review by Michael G. Nastos stated: "There is a certain static electricity generated in this series of three duets from trumpeter Bowie and drummer/percussionist Wilson. Certainly they feed off each other's energy in counterpointed reverie, but the music goes beyond being merely spontaneous or made up on the spot.