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Praktičan vodič kroz Beograd sa pevanjem i plakanjem Practical Guide to Belgrade with Singing and Crying: Bojan Vuletić: Marko Janketić Julie Gayet Anita Mančić Jean-Marc Barr: Comedy / Drama / Romance: The Scent of Rain in the Balkans [1] Miris kiše na Balkanu: Ljubiša Samardžić: Mirka Vasiljević: Drama, Romance: 2012: Klip Clip ...
Josif Tatić (13 April 1946 – 8 February 2013) was a Serbian film actor. [1] He appeared in more than one hundred films from 1967 to 2011, such as Balkan Express (1983), Let's Fall in Love 2 (1989), Three Tickets to Hollywood (1993), Savior (1998), The Professional (2003), Wait for Me and I Will Not Come (2009).
Leptirica (Serbian Cyrillic: Лептирица, lit. 'The She-Butterfly') is a 1973 Yugoslav made-for-TV folk horror film directed by the Serbian and Yugoslav director Đorđe Kadijević and based on the short story After Ninety Years (1880) written by Serbian writer Milovan Glišić. [2]
The Dark Side of the Sun [a] is a 1988 American-Yugoslavian drama film directed by Božidar Nikolić and stars Brad Pitt in his first leading role, as a young man in search of a cure for a rare and deadly skin disorder.
The Man Who Could Not Remain Silent (Croatian: Čovjek koji nije mogao šutjeti) is a 2024 Croatian short drama film, written and directed by Nebojša Slijepčević. [1] The film dramatizes the Štrpci massacre of 1993, when 18 Muslims and 1 Croat were pulled off a train by the Serbian White Eagles paramilitary group and massacred; it centres on Tomo Buzov (Dragan Mićanović), the sole non ...
The Professional (Serbian: Професионалац / Profesionalac) is a 2003 Serbian comedy/drama film, written and directed by Dušan Kovačević and based on his 1990 play of the same name.
Discussing how they came to the original idea for the film, Kapac and Mardešić said: "We realized that we both envied our friends over one thing, which is that during childhood neither of us had an uncle, or a godfather, who lived outside the country and who'd come every holiday and bring gifts, and our friends did.
Many film critics disagree about the exact definition of the genre. [5] Partisan films are often equated solely with the populist, entertainment-oriented branch of the genre, characterized by epic scope, ensemble casts, expensive production, and emotionally intense scenes, largely introduced into Yugoslav war films by Veljko Bulajić's Kozara (1962).