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The designs were initially entitled the 'Pedestal Group' before Saarinen and Knoll settled on the more organic sounding 'Tulip chair' to mirror its inspiration from nature. [3] It was designed primarily as a chair to match the complementary dining table. The chair has the smooth lines of modernism and was experimental with materials for its time.
Tanglewood Shed in 1938 (with Eliel Saarinen and Joseph Franz), Chamber Music Shed in 1947 (with Eliel Saarinen), Edmund Haws Talbot Orchestra Canopy in 1959: Center Line Defense Housing: Center Line: Michigan: 1941: 1942: With Eliel Saarinen and J. Robert F. Swanson. 477 housing units: Albert and Muriel Wermuth House: Fort Wayne: Indiana: 1941 ...
Eero Saarinen (/ ˈ eɪ r oʊ ˈ s ɑːr ɪ n ə n, ˈ ɛər oʊ-/, Finnish: [ˈeːro ˈsɑːrinen]; August 20, 1910 – September 1, 1961) was a Finnish-American architect and industrial designer who created a wide array of innovative designs for buildings and monuments, including the General Motors Technical Center in Warren, Michigan; the passenger terminal at Dulles International Airport ...
Gottlieb Eliel Saarinen (/ ˈ s ɑːr ɪ n ə n /, Finnish: [ˈelie̯l ˈsɑːrinen]; August 20, 1873 – July 1, 1950) was a Finnish and American architect known for his work with Art Nouveau buildings in the early years of the 20th century.
The Egg was designed in a typical Jacobsen style, using state-of-the-art material. It is believed to be inspired by Eero Saarinen 's "Womb chair", from which it borrows some traits. Related to the Egg is the Swan chair and, to some degree, many of Jacobsen's plywood chairs such as "7", the Ant, the Cigar, the Grand Prix-chair, the Pot, the Drop ...
One particular variety, en coeur, or heart-shaped, was especially designed for men; it stood on three legs mounted on rollers, contained an assortment of drawers and small compartments, and featured a folding mirror on top. [17] In the late, second style of Louis XV, after 1750, the tables lost the rococo curves and took on classical (or ...
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