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Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
In sum, for a better understanding of Rococo painting, it is necessary that we first clearly perceive that it is not limited to France, even though it appeared there most fully, typically and essentially, and is the basic reference of the entire style, but manifested itself in a great variety of forms in a vast area of the West, adapting itself ...
Italian Rococo was mainly inspired by the rocaille or French Rococo, since France was the founding nation of that particular style. The styles of the Italian Rococo were very similar to those of France. The style in Italy was usually lighter and more feminine than Italian Baroque art, and became the more popular art form of the settecento.
In the mid-nineteenth century, the term rococo referred to a style recalling the ornament and design aesthetics of the Louis XV style and early Louis XVI style. [2] The period between 1715-1745, encompassing the reign of Louis XV, is generally accepted as the high point of the Rococo style in French art. A Rocaille ornament in Caen (France)
From 1710 until about 1730, a period known as the Régence, it was largely an extension of the Louis XIV style of his great-grandfather and predecessor, Louis XIV. From about 1730 until about 1750, it became more original, decorative and exuberant, in what was known as the Rocaille style, under the influence of the King's mistress, Madame de ...
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Marquise de Pompadour (mistress of King Louis XV), whose name became synonymous with Rococo art, was a great admirer of his work. [10] Marquise de Pompadour is often referred to as the "godmother of Rococo" [ 10 ] and Boucher's portraits were central to her self-presentation and cultivation of her image.
This towering granite spire was for a period in time the tallest building in the whole world. [2] 1950s – The Italian economic miracle being in full-swing, new skyscrapers such as the creative Torre Velasca in Italy's fashion, banking and design capital was built. This 26-floor tower was a pioneer in the usage of reinforced concrete. [2]