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Olin Levi Warner, Imagination (1896). Library of Congress Thomas Jefferson Building, Washington, D.C. Imagination is the production of sensations, feelings and thoughts informing oneself. [1] These experiences can be re-creations of past experiences, such as vivid memories with imagined changes, or completely invented and possibly fantastic ...
Some evidence shows that when people use their imagination to develop new ideas, those ideas are structured in predictable ways in accordance with properties of existing categories and concepts. [57] Weisberg argued, in contrast, that creativity involves ordinary cognitive processes yielding extraordinary results.
Hyperphantasia is the condition of having extremely vivid mental imagery. [1] It is the opposite condition to aphantasia, where mental visual imagery is not present. [2] [3] The experience of hyperphantasia is more common than aphantasia [4] [5] and has been described as being "as vivid as real seeing". [4]
Imagination can improve personal relations; Universality of imaginative talent; Ways by which creativity can be developed; Our new environment - its effect on creativity; Other factors that tend to cramp creativity; Creative and non-creative forms of imagination; The process of ideation vary widely; Orientation calls for setting our sights
increase overall creativity of the group. These four rules were: Go for quantity: This rule is a way of enhancing divergent production, aiming at facilitation of problem solution through the maxim quantity breeds quality. The assumption is that the greater the number of ideas generated the bigger the chance of producing a radical and effective ...
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The theosophy of post-Renaissance Europe embraced imaginal cognition. From Jakob Böhme to Swedenborg, active imagination played a large role in theosophical works.In this tradition, the active imagination serves as an "organ of the soul, thanks to which humanity can establish a cognitive and visionary relationship with an intermediate world".