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White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica , dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main ...
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The depicted version of Rubin's vase can be seen as the black profiles of two people looking towards each other or as a white vase, but not both. Another example of a bistable figure Rubin included in his Danish-language, two-volume book was the Maltese cross. A 3D model of a Rubin vase
Vase with White and Red Carnations is a work by Vincent van Gogh. It is an oil on canvas painting in a private collection, painted in the summer of 1886 in Paris. [ 1 ] The painting depicts white and red carnation flowers in a gold and dark brown vase.
If the edges between the black and white regions are assigned inward, then the central white region is seen as a vase shape in front of a black background. No faces are perceived in this case. On the other hand, if the edges are assigned outward, then the two black profile faces are perceived on a white background, and no vase shape is perceived.
Image:Newworldmap-alt.png – Version of Image:BlankMap-World-alt.png, but with bodies of water coloured blue and white land masses. 1488 x 755. Image:BlankMap-World-v2.png – Version of Image:BlankMap-World.png , but with sovereign microstates (i.e., under 2 500 km² in area) represented as circles to facilitate identification and colourising.
Grays and dark tones are produced by mixing complementary colours. In pure Impressionism the use of black paint is avoided. In making Vase with Autumn Asters (F234) Van Gogh began to use more intense colors, rather than somber grey tones of his early work. [28] The play of natural light is emphasized.
By contrast, the school of the Berlin Painter in the form of the Achilles Painter and his peers (who may have been the Berlin Painter's pupils) favoured a naturalistic pose usually of a single figure against a solid black background or of restrained white-ground lekythoi.