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It was Masuda and Fukasaku's first English-language film, and first international co-production. The tora of the title, although literally meaning "tiger", is actually an abbreviation of a two-syllable codeword (i.e., totsugeki raigeki 突撃雷撃, "lightning attack"), used to indicate that complete surprise had been achieved.
Soul Food is the soundtrack to the 1997 film of the same name.It was released on September 16, 1997, through LaFace Records and mainly consisted of R&B music with some hip hop music.
D.O.A.: A Right of Passage is a 1980 rockumentary film directed by Lech Kowalski (his premiere film as a director) about the origin of punk rock.The rockumentary takes interview and concert footage of some of punk rock's earliest bands of the late 1970s scene.
"99" is a song by the American rock band Toto. The song appeared on the Hydra album in 1979. [1] As a single, it reached number 26 on the Billboard charts. [2] In Canada, the song peaked at number 17 on the RPM singles chart. The full album version of the song includes a gentle piano-driven ride out, while the single edit fades the song out ...
Ray is the soundtrack to the 2004 film Ray starring Jamie Foxx (who won the Academy Award for Best Actor for his role as "Ray Charles" in this film), Kerry Washington, Terrence Howard, Clifton Powell and Regina King.
Hydra is the second studio album by American rock band Toto, released in 1979. [6] It reached No. 37 on the Billboard Pop Albums. [7] While most of the album's singles failed to make any impact in the charts, "99", a song inspired by the 1971 science fiction movie THX 1138, [8] reached No. 26 on the Billboard Hot 100.
Given the situation in the movie, any English song would have fit, however, Rahman decided to compose an original piece. [11] Further, on singing the male version of "Patakha Guddi" Rahman notes: "Singing in Punjabi wasn't difficult as I'd composed the tune, and improvised a lot. All I had to do was work on the pronunciations."
A bonus movie was included with the CD. The soundtrack is notable for being one of the first film scores to use Vocaloid (Lola as the "voicebank") for vocals. [1] [2] It's also the last of Hirasawa's albums where an Amiga computer was used for composition. All MIDI was sequenced through an Amiga 4000 running the Bars n Pipes program.