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The medium appealed to Nolde because he could translate his ideas and concepts to creation faster than oil painting. [1] According to Peter Selz, Nolde elevated watercolor far above the level of a specialized technique and achieved works of breathtaking and ephemeral beauty which stand unique in the history of twentieth-century art. [2]
Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of ...
The Composition of Landscape Painting. Corana del Mar, CA: Self Published. 1959. Subtitled: ": The dynamic integration of graphic elements from land and sea for expression". A similar, softbound edition was self published by Brandt entitled Notes on the Composition of Landscape Painting. Watercolor Technique in 15 Lessons (6th rev. ed.). New ...
Los Angeles County Museum of Art [2]: 325 Landscape: Oil on canvas 13 cm × 18.8 cm (5.1 in × 7.4 in) Newark Museum IAP 31820037 [2]: 339 Mountain Landscape with Sunset: Oil on paper 8.2 cm × 9.5 cm (3.2 in × 3.7 in) Lyman Allyn Art Museum [2]: 329 Mountain Landscape: Oil on paper mounted on canvas
He later became the first art professor at Harvard University, and the first director of the university's Fogg Art Museum. Moore was one of few watercolor painters in the Hudson River School, and was an early member of the American Watercolor Society. Thomas Moran: More images: 12 February 1837 25 August 1926 Artist of the Hudson River School.
Thomas Cole (1801–1848), The Oxbow, View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (1836), Metropolitan Museum of Art. The Hudson River School was a mid-19th-century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by Romanticism.
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