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The Gaga movement language was created by Ohad Naharin, former Martha Graham dancer and artistic director of the Batsheva Dance Company (1990-2018), and has been further developed in relation to Naharin's research in dance and choreography. Naharin created Gaga as a reaction to a back injury he was experiencing.
The main kpanlogo bell part is one of the most common and oldest key patterns found in sub-Saharan Africa. [4] The bell pattern used in kpanlogo is the same as the son clave pattern heard in Cuban music and. It is also similar to the "Bo Diddley beat" popularized by the U.S. rhythm and blues musician Bo Diddley.
It is a non-categorized, index list of specific dances. It may also include dances which could either be considered specific dances or a family of related dances. For example, ballet, ballroom dance and folk dance can be single dance styles or families of related dances. See following for categorized lists: List of dance style categories
The Ga-Dangbe, Ga-Dangme, Ga-Adangme or Ga-Adangbe are an ethnic group in Ghana, Togo and Benin. The Ga or Gan and Dangbe or Dangme people are grouped as part of the Ga–Dangme ethnolinguistic group. [1] [2] The Ga-Dangmes are one ethnic group that lives primarily in the Greater Accra region of Ghana.
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Public cues are accessible to anyone in the situation, such as a tree in a park or a table in a room. Private cues are only available to one person, like a coin in one's pocket or an itch on one's wrist. Behavioral cues are under the control of the communicators and constitute the main vehicles of communication.
Solo dance – a dance danced by an individual dancing alone. Partner dance – dance with just 2 dancers, dancing together. In most partner dances, one, typically a man, is the leader; the other, typically a woman, is the follower. As a rule, they maintain connection with each other. In some dances the connection is loose and called dance ...
In partner dancing, connection is physical, non-verbal communication between dancers to facilitate synchronized or coordinated dance movements. Some forms of connection involve "lead/follow" in which one dancer (the "lead") directs the movements of the other dancer (the "follower") by means of non-verbal directions conveyed through a physical connection between the dancers.