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An Aztec sculpture representing the left-facing head of Xiuhcoatl. Typically, Xiuhcoatl was depicted with a sharply back-turned snout and a segmented body. Its tail resembled the trapeze-and-ray year sign and probably does represent that symbol. In Nahuatl, the word xihuitl means "year", "turquoise", and "grass". Often, the tail of Xiuhcoatl is ...
A small fire was permanently kept alive at the sacred center of every Aztec home in honor of Xiuhtecuhtli. [14] The Nahuatl word xihuitl means "year" as well as "turquoise" and "fire", [11] and Xiuhtecuhtli was also the god of the year and of time. [15] [16] The Lord of the Year concept came from the Aztec belief that Xiuhtecuhtli was the North ...
The image is clear. The Templo Mayor is the image of Coatepec or Serpent Mountain where the divine battle took place. Just as Huitzilopochtli triumphed at the top of the mountain, while his sister was dismembered and fell to pieces below, so Huitzilopochtli's temple and icon sat triumphantly at the top of the Templo Mayor while the carving of ...
Aztec mythology is the body or collection of myths of the Aztec civilization of Central Mexico. [1] The Aztecs were Nahuatl -speaking groups living in central Mexico and much of their mythology is similar to that of other Mesoamerican cultures.
Itzcoatl (Classical Nahuatl: Itzcōhuātl [it͡sˈkoːwaːt͡ɬ], "Obsidian Serpent", modern Nahuatl pronunciation ⓘ) (c. 1380–1440) was the fourth king of Tenochtitlan, and the founder of the Aztec Empire, ruling from 1427 to 1440.
Bernardino de Sahagún dedicates the second book of the Florentine Codex to describing the various ceremonies of the Aztecs. The twenty-sixth chapter of this book provides details about the ceremonies of Tecuilhuitontli, focusing on the festival in Huixtocihuatl's honor. [2] Salt-makers would honor the deity with dances that lasted for ten days ...
The Spanish-language edition of National Geographic published an article on Portrait of Tenochtitlan and the website went viral. [5] During Kole’s first-ever visit to Mexico City in February 2024, Kole, Semo, and Ortega gave a presentation at the National Museum of Anthropology that was well received. [6]
Mary Elizabeth Smith identified the yahui as the "xiuhcoatl-turtle-sacrificer" when she analyzed the Codex Muro and colonial Mexican documents. [6] She identified the flint-flame tail motif and turtle carapace as the key symbols that distinguish the yahui from other specific figures in the Mixtec codices.
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