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The song was later covered by Waylon Jennings, Willie Nelson, Johnny Cash, and Kris Kristofferson and became the opening track of their 1990 album Highwayman 2. [3] Released in 1990 as a lead single (Columbia 38-73233, with "American Remains" on the opposite side) from the album, [4] the song peaked at number 25 on U.S. Billboard 's country chart for the week of April 28.
Also in 1990, The Highwaymen, an outlaw country supergroup comprising Johnny Cash, Waylon Jennings, Willie Nelson and Kris Kristofferson, had a minor hit with a song of his, "Silver Stallion", which had previously appeared on Border Affair (1978). In 1994, he released the album Spirit of the Twilight.
The Lee Clayton-penned song "Silver Stallion" was the first single and made the country Top 40. The album was nominated for a Grammy for Best Country Vocal Collaboration. Highwayman 2 was produced, once again, by Moman. Six of the songs were written or co-written by members of the group.
Kristofferson biographer Stephen Miller notes, "Moman produced in such a fashion – prominent drums, electric guitars, and organs – as to bring rock values to songs that, with a different approach, could just as easily have been pure country." [2] "Silver Stallion" was released as the first single from the album (with an accompanying music ...
Listen to the best country songs about sons relatable for moms and dads. This playlist includes artists like Reba McEntire, Chris Stapleton, and Kenny Chesney.
Highwayman" is a song written by American singer-songwriter Jimmy Webb about a soul with incarnations in four different places in time and history: as a highwayman, a sailor, a construction worker on the Hoover Dam, and finally as a captain of a starship. Webb first recorded the song on his album El Mirage, released in May 1977
In a fractious America, there’s still one thing that people can agree on: Shaboozey’s “A Bar Song (Tipsy).” The Virginian’s country flip of an old J-Kwon hit rang out from bars ...
The song starts with a dirge-like organ, moves on to weeping horns backed by simple, strong guitar strums, and crawls toward the titular, titanic plea of “Volver, Volver” — return, return.