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  2. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    Download as PDF; Printable version; In other projects ... I–V–vi–IV chord progression in C: 4: ... (music) This page was last edited on 18 ...

  3. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]

  4. Take a Pebble - Wikipedia

    en.wikipedia.org/wiki/Take_a_Pebble

    The song starts as a soft ballad. On the original recording it begins with Keith Emerson holding down voicing on the piano keys (without having the hammers strike the notes) while strumming the grand piano strings with a plectrum, as Greg Lake enters on electric bass guitar, and Carl Palmer on subtle percussion. Emerson then switches to fast Eb ...

  5. You Can Play These Songs with Chords - Wikipedia

    en.wikipedia.org/wiki/You_Can_Play_These_Songs...

    You Can Play These Songs with Chords is an early (1996–97) demo from the rock band Death Cab for Cutie, which at the time consisted entirely of founder Ben Gibbard.This demo was originally released on cassette by Elsinor Records.

  6. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...

  7. Chord-scale system - Wikipedia

    en.wikipedia.org/wiki/Chord-scale_system

    In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]

  8. Mystic chord - Wikipedia

    en.wikipedia.org/wiki/Mystic_chord

    In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).

  9. Passing chord - Wikipedia

    en.wikipedia.org/wiki/Passing_chord

    Passing chord in B ♭ from across the circle of fifths (tritone, see also tritone substitution): B ♮ 7 Play ⓘ. [1] The circle of fifths drawn within the chromatic circle as a star dodecagon. [2] In music, a passing chord is a chord that connects, or passes between, the notes of two diatonic chords. [3] "

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