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Mohamed Abozekry & Heejaz is a Franco-Egyptian band of instrumental music formed in 2010. Led by the young music prodigy Mohamed Abozekry who received the first prize at the international Oud competition in Damascus in 2009, [1] the quartet also includes Guillaume Hogan (), Anne Laure Bourget and Hugo Reydet (double bass).
Sawahli (coastal) music is a type of popular Egyptian music from the country's northern coast, and is based around ancient Egyptian instrumentals, mainly the simsimiyya, which is an indigenous Egyptian stringed instrument that has its roots in ancient Egypt, it---the simsimiyya---was probably introduced to the country's northern coast from the ...
It is used in Egypt in certain genres of Egyptian music, including Sawahli (coastal) music, which is a type of popular Egyptian music from the country's northern coast. The simsimiyya was probably introduced to the country's northern coast from the Nile valley in the 19th century by Egyptian workers in the Suez canal. It is also used in other ...
Mahraganat is a combination of working class popular Egyptian music played at weddings, EDM and hip-hop, with heavy autotune use. The Sound was originally Invented by the Producer Amr 7a7a, DJ Figo made the genre more well known with his team Including Sadat and Alaa Fifty released during the 2011 Egyptian Revolution .
Notable Egyptian instrumental guitarist Omar Khorshid covered Farid al-Atrash's songs in a tribute album. His musical pieces was produced by Voice of Lebanon label which was founded by Robert Khayatt. the entire catalogue was acquired by Mazzika [ 28 ] Group in the early 2000s.
Al Jeel, also known as Jeel, Geel (Egyptian Arabic), is an Egyptian alternative to foreign popular forms of music that developed in the 1970s. Modeled after foreign rock and roll and pop music, Al Jeel became oriented around dance/pop, and had a background similar to reggae.
Al-Watan Al-Akbar (Arabic: الوطن الأكبر, translated The Greatest Homeland) is a pan-Arab musical created in Egypt. The song was composed by the Egyptian Mohammed Abdel Wahab in 1960, and arranged by Egyptian composer Ali Ismael, with lyrics by poet Ahmad Shafik Kamal. [1]
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