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In art, appropriation is the use of pre-existing objects or images with little or no transformation applied to them. [1] The use of appropriation has played a significant role in the history of the arts ( literary , visual , musical and performing arts ).
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Cut: Film as Found Object in Contemporary Video, Stefano Basilico, Milwaukee Art Museum 2004. Found Footage Film, Cecilia Hausheer, Christoph Settele, Luzern 1992, ISBN 3-909310-08-7; Films Beget Films, Jay Leyda, London, George Allen & Unwin 1964.
Pages in category "African-American cultural appropriation" The following 8 pages are in this category, out of 8 total. This list may not reflect recent changes .
In 2018, Finnish/American artist Christian Narkiewicz-Laine filed the largest VARA lawsuit in U.S. history stemming from the destruction of the artist's rented space in Galena, Illinois where he alleged over 4,000 works of art were destroyed and mutilated, claiming a value of $11.8 million.
Appropriation artists take other artists' work and use it in their own art, appropriating it and incorporating it in their own product with or without changes. Because of this appropriation, often (as in this case) done without giving credit to the original artist, the appropriation artists can expect that their work may attract lawsuits.
The Federal Art Project (1935–1943) was a New Deal program to fund the visual arts in the United States. Under national director Holger Cahill, it was one of five Federal Project Number One projects sponsored by the Works Progress Administration (WPA), and the largest of the New Deal art projects.