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Polished stone ax, India, 2800-1500 BCE. According to Gupta, the methods used in polishing the stone surfaces could have a local origin, citing the existence of various highly polished stone tools found in the area dating from much earlier times, in the Neolithic era. There is, however, no trace of evolution from these Neolithic objects to the ...
Polished surface of a pillar. All known Mauryan pillars have the characteristic mirror-like polish, although most were left unpolished over the surface of the bottom part meant to be buried in the ground. [10] Inscriptions were made over the polished finish, with the ungainly result that the polished stone is chipped around the letters.
Pietra dura (Italian: [ˈpjɛːtra ˈduːra]), pietre dure ([ˈpjɛːtre ˈduːre]) or intarsia lapidary [1] , called parchin kari or parchinkari (Persian: پرچین کاری) in the Indian subcontinent, is a term for the inlay technique of using cut and fitted, highly polished colored stones to create images.
Ashlar (/ ˈ æ ʃ l ər /) is a cut and dressed stone, worked using a chisel to achieve a specific form, typically rectangular in shape. The term can also refer to a structure built from such stones. [1] Ashlar is the finest stone masonry unit, and is generally rectangular . It was described by Vitruvius as opus isodomum or trapezoidal.
Polished stone axe Pike of Stickle on the left, from the summit cairn of Pike of Blisco.The central scree run has produced many rough-out axes. Harrison Stickle, the highest of the Langdale Pikes, in the right centre of the group Neolithic stone axe from Langdale with well preserved handle, found at Ehenside Tarn near the Cumbrian coast (now in the British Museum [a])
Coomaraswamy distinguishes between court art and a more popular art during the Mauryan period. Court art is represented by the pillars and their capitals, [16] and surviving popular art by some stone pieces, and many smaller works in terracotta. The highly polished surface of court sculpture is often called Mauryan polish. However this seems ...
The stone carver generally uses a shallower stroke at this point in the process. Eventually, the sculptor has changed the stone from a rough block into the general shape of the finished statue. Tools called rasps and rifflers are then used to enhance the shape into its final form. A rasp is a flat, steel tool with a coarse surface.
Originally this wall was so reflective that the king could see himself as he walked alongside it. Made of brick masonry and covered in highly polished white plaster, the wall is now partially covered with verses scribbled by visitors, some of them dating from as early as the 8th century. Most, however, date from the 9th and 10th century.
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