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European free jazz: European free jazz is a part of the global free jazz scene with its own development and characteristics. 1960s -> Flamenco jazz: Flamenco jazz is a style mixing flamenco and jazz, typified by artists such as Paco de Lucia and Camarón de la Isla. 1960s -> Free funk: A combination of avant-garde jazz with funk music 1970s ...
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
"Walk, Don't Run" is an instrumental composition written and originally recorded by jazz guitarist Johnny Smith in 1954, which achieved worldwide fame when The Ventures recorded a cover version in 1960. [1] It was adapted and re-recorded by Chet Atkins in 1956, and was a track on the LP Hi-Fi In Focus.
This year's list of top nominees include Beyoncé, Charli XCX, Billie Eilish, Kendrick Lamar, Post Malone, Sabrina Carpenter, Chappell Roan and Taylor Swift.
Pages in category "Grammy Award for Best Jazz Instrumental Album" The following 56 pages are in this category, out of 56 total. This list may not reflect recent changes .
For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes Index of articles associated with the same name This set index article includes a list of related items that share the same name (or similar names).
Samba-jazz or jazz samba is an instrumental subgenre of samba that emerged in the bossa nova ambit in the late 1950s and early 1960s in Brazil. [1] [2]The style consolidated the approach of Brazilian samba with American jazz, [3] especially bebop and hard bop, jazzy styles quite experienced by Brazilian musicians in scope of gafieiras and nightclubs especially in Rio de Janeiro.