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Synesthesia is a neurologically based phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. There are many occurrences of synesthesia in books, television and film.
Synesthesia is a neurological condition in which one or more sensory modalities become linked. However, for over a century, synesthesia has also been the artistic and poetic devices that try to connect the senses. Not all depictions of synesthesia in the fictional works are accurate.
Synesthesia as psychological health and balance: Painting Ruby Tuesday by Jane Yardley, and A Mango-Shaped Space by Wendy Mass. Literary depictions of synesthesia are criticized as often being more of a reflection of an author's interpretation of synesthesia than of the phenomenon itself. [citation needed]
When a noun evoking one sense is linked with a predicate evoking another, this is known as transmodal predication. [2] Examples include: "My nostrils see her breath burn like a bush."
Synesthesia is when input from one sense triggers the brain to associate it with another sensory experience. Dr. Hersh: Synesthesia occurs when more than one sense is experienced simultaneously ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
In many forms, more well-known words and words used with a higher frequency are more likely to have a strong taste association [2] [7] The phonological roots associated with this form of synesthesia drive the current research on lexical–gustatory synesthesia to determine which parts of the brain are active in synesthetes causing the ...
In Flournoy's 1893 reports on OLP, one synesthete identified as Mme L. reports that "1, 2, 3 are children without fixed personalities; they play together. 4 is a good peaceful woman, absorbed by down-to-earth occupations and who takes pleasure in them. 5 is a young man, ordinary and common in his tastes and appearance, but extravagant and self-centered. 6 is a young man of 16 or 17, very well ...