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This was the first movie theme and the first instrumental to win a Record of the Year Grammy. In 2000, the song was inducted into the Grammy Hall of Fame. [10] Faith re-recorded the song twice: first, in 1969, as a female choral version, then, in 1976, as a disco version [8] titled "Summer Place '76".
Theme from a Summer Place is a studio album released by Billy Vaughn in 1960 on Dot LP record DLP 3276 (mono) 25276 (stereo). The album topped Billboard's album charts in 1960 for two weeks, and stayed in the charts for a total of 62 weeks. [1]
Butterfingers is a Malaysian rock band formed in 1993 and one of the most successful bands in Malaysian underground [2] and mainstream music industry that performed in English language during the early 90s. They have since produced three demos, two compilations and six studio albums.
During the 2020-21 COVID-19 pandemic, Orchestra's members unable to tour due to the lockdowns and separated in their various homes released 13 music videos as a group on YouTube, called the Ukulele Lockdown series (these were collected together and released as the virtual opening concert for the 2021 San Francisco Performances PIVOT Festival ...
A song of the summer is an unofficial designation of a song that is dominant both culturally and commercially between the end of May and the beginning of September in a given year, primarily in the United States. Although the idea of a song of the summer had been around as early as the 1910s, it became a common term in the 1990s.
"A Thousand Miles" is a piano-driven pop song supported by a string orchestral arrangement. Carlton says that the song was inspired by a crush she had on a Juilliard student (who is now a "very famous actor") whom she met while she was attending the School of American Ballet.
According to Marx, he wrote the song as a theme to summer love that does not last when lovers go their separate ways in the fall. [4] In the liner notes of his 1997 Greatest Hits album, Marx commented on the song: "Aside from replacing synthesized bass with the great Nathan East , this recording is the demo that every record company in the ...
The song was released worldwide as a digital download on October 18, 2011 and serves as the second single by Atlantic Records from the movie's official soundtrack. [2] Perri re-recorded the song with vocals from Steve Kazee for the sequel The Twilight Saga: Breaking Dawn – Part 2 (2012). It was also produced by Hodges.