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Secrétaire à abattant by Jean-François Leleu, Paris, ca 1770 (Musée Nissim de Camondo, Paris). French furniture comprises both the most sophisticated furniture made in Paris for king and court, aristocrats and rich upper bourgeoisie, on the one hand, and French provincial furniture made in the provincial cities and towns many of which, like Lyon and Liège, retained cultural identities ...
Armchairs appeared with high backs, made with pieces of bois tourné, cut in a spiral form. [ 2 ] The second period, from 1660 to about 1690, was the beginning of the personal reign of Louis XIV; much of the furniture of this period was made for the decoration of the grand new halls of the Palace of Versailles designed by Louis Le Vau and then ...
The fauteuils, or armchairs, were larger and designed for comfort; their styles evolved during the reign of Louis XV. During the early years of the Regency (1715-23) the armchairs had short curved feet, the top of the back was slightly curved, while the supports of the back and the arms were straight.
A bergère is an enclosed upholstered French armchair [1] with an upholstered back and armrests on upholstered frames. [2] The seat frame is over-upholstered, but the rest of the wooden framing is exposed: it may be moulded or carved, and of beech, painted or gilded, or of fruitwood, walnut or mahogany with a waxed finish. Padded elbowrests may ...
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By 1932 nearly one in three homes in America had French Provincial design elements.The style fell out of favor in the 1930s, [6] but had a resurgence in the 1960s. [1] In the United States architect Frank J. Forster promoted the style. He was recognized by his peers as a master of French provincial architecture in 1927, 1928, and 1929. [6]
Savonarola chair, a folding armchair dating from the Italian Renaissance. Typically constructed of walnut, it is sometimes called an X-chair. The Savonarola chair was the first important folding armchair created during the Italian Gothic Renaissance period. Sawbuck chair, officially the CH29 chair, by Hans Wegner for Carl Hansen & Søn (1952).
[12] [6] Cabriole legs were influenced by the designs of the French cabinetmaker André-Charles Boulle [13] and the Rococo style from the French court of Louis XV. [14] But the intricate ornamentation of post-Restoration furniture was abandoned in favor of more conservative designs, possibly under the influence of the simple and elegant lines ...
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