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Moving is a 1988 American comedy film starring Richard Pryor as Arlo Pear, a father moving his family cross-country.. Other notable appearances in the film include Randy Quaid as an annoying neighbor, Dana Carvey as a man with multiple personalities hired to drive Pryor's car, Rodney Dangerfield as an embezzling loan officer, musician Morris Day, and WWF wrestler King Kong Bundy as a monstrous ...
Richard Franklin Lennox Thomas Pryor Sr. (December 1, 1940 – December 10, 2005) was an American stand-up comedian and actor. Known for reaching a broad audience with his trenchant observations and storytelling style, he is widely regarded as one of the greatest and most important stand-up comedians of all time.
The series was canceled after 13 episodes. Dash's first major film role was in the Richard Pryor comedy Moving in 1988. She also had sizable roles in Mo' Money and Renaissance Man during this time. In 1995, Dash starred as a femme fatale in the low-budget film Illegal in Blue. Dash received her big break with the 1995 teen comedy film Clueless.
The Indianapolis comedian and actor discussed his past drug use, the state of comedy and why he hasn't starred in a Richard Pryor biopic. Mike Epps says he was using cocaine when filming movies ...
Jennifer Lee Pryor — who was married to Pryor from 1981 to 1982, and remarried him in 2001 — was closely involved in curating Time Life's box set, and remembers being struck by how his vintage ...
MGM won a heated film rights auction and will partner with black-ish creator Kenya Barris for a movie on iconic comedian Richard Pryor. Barris will make his directorial debut on a film he will write.
Brewster's Millions is a 1985 American comedy film directed by Walter Hill.The film stars Richard Pryor, John Candy, Lonette McKee, Stephen Collins, and Hume Cronyn.The screenplay by Herschel Weingrod and Timothy Harris was based on the 1902 novel of the same name by George Barr McCutcheon.
The South Florida Sun-Sentinel called it a "misguided semicomedy" and wrote, "Judging from this lamebrained film, Richard Pryor's crown as a screen comedy king is slipping off his head." [5] The Chicago Tribune ' s Dave Kehr wrote that the film "adds, with what has become a glum predictability, one more disappointing title to Richard Pryor's ...
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