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"Let's Go" is a song by American rock band the Cars, written by Ric Ocasek for the band's second studio album, Candy-O (1979). A new wave rock song, the song's hook was inspired by the Routers. The song's vocals are performed by bassist Benjamin Orr. "Let's Go" was released in 1979 as the debut single from Candy-O on Elektra Records. The single ...
Candy-O is the second studio album by American new wave band the Cars, released on June 2, 1979, by Elektra Records. Produced by Roy Thomas Baker, the album spawned two singles, "Let's Go" and "It's All I Can Do". The album outperformed the band's debut, peaking at number three on the US Billboard 200.
Let's Go Karaoke! (Japanese: カラオケ行こ!, Hepburn: Karaoke Iko!) is a Japanese manga series written and illustrated by Yama Wayama.The series follows a yakuza lieutenant who seeks instruction in karaoke from the head of a high school choir.
Unlike many of the Cars' album covers, the cover for The Cars was designed by the record company, rather than drummer Robinson. [7] Robinson said in an interview that he "had designed a very different album cover [for The Cars] that cost $80.00 to design." He continued, "I remember the price exactly.
A karaoke box (カラオケボックス, karaoke bokkusu) is a type of karaoke establishment commonly found in Asia, the United States and Canada. It originated in Japan, and is now popular worldwide, particularly in Asia. [1] Karaoke boxes consist of multiple rooms containing karaoke equipment, usually rented out for a period of time.
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Prato praises the diversity of the video choices while criticizing some of the quality of the recordings, summing up that it is "a most welcome addition to the Cars' discography". [1] At DVD Talk Jon Sinnott recommended "skip it" due to poor audio and video, although he praised some of the performances. [ 2 ]
Shake It Up is the fourth studio album by American new wave band the Cars, released on November 6, 1981, by Elektra Records. It was the last Cars record to be produced by Roy Thomas Baker. A much more pop-oriented album than its predecessor, its title track became the band's first Billboard top-10 single.