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SATB is an initialism that describes the scoring of compositions for choirs or consorts of instruments. The initials are for the voice types : S, soprano , A, alto , T, tenor and B, bass . It can also describe a choir, collectively for SATB music.
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The report similarly examined questions of test bias (finding some bias in favor of Blacks), validity (finding lower validity, average r = .25 to .35, than reported elsewhere, and that this was primarily due to methodological differences).
Symphony No. 3 "Kaddish" is a programmatic choral symphony by Leonard Bernstein, published in 1963.It is a dramatic work written for a large orchestra, a full choir, a boys' choir, a soprano soloist and a narrator.
Not all churches can boast a full SATB choir, and a repertoire of one-, two- and three-part music is more suitable for many parish church choirs, a fact which is recognised in the current work of the Royal School of Church Music. Anglican churches also frequently draw upon the musical traditions of other Christian denominations.
Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'), [1] BWV 140, also known as Sleepers Awake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas.
SATB Tr 2Ob 2Vl Va G major: 9 8: 7 (3) Hilf, Jesu, hilf, daß ich auch dich bekenne: Franck Aria T F major: 3 4: 8: Der höchsten Allmacht Wunderhand: anon. Recitative A 2Oc C major 9 (5) Ich will von Jesu Wundern singen: anon. Aria B Tr 2Ob 2Vl Va C major 10: Jesus bleibet meine Freude: Jahn Chorale SATB Tr 2Ob 2Vl Va G major 9 8
The Crucifixion: A Meditation on the Sacred Passion of the Holy Redeemer is an oratorio for a SATB choir and organ composed by John Stainer in 1887, with text by W J Sparrow Simpson. The piece relates the Biblical narrative of the Passion and Crucifixion of Jesus. It is particularly noted for the Christian hymn “All for Jesus, All for Jesus".