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"This 1970s original living room was the perfect backdrop for our client's forever-growing collection of books and collectibles," designer Fran Keenan of Fran Keenan Design explains. "Her love of ...
Wallpaper was often made in elaborate floral patterns with primary colors (red, blue, and yellow) in the backgrounds and overprinted with colours of cream and tan. This was followed by Gothic art inspired papers in earth tones with stylized leaf and floral patterns.
The technique used by Morris for making wallpaper was described in some detail in Arts and Crafts Essays by Members of the Arts and Crafts Exhibition Society published in 1893. The chapter on wallpaper was written by Walter Crane. He describes how the wallpapers of Morris were made using pieces of paper thirty-feet long and twenty-one inches wide.
Art Deco rejected traditional materials of decoration and interior design, opting instead to use more unusual materials such as chrome, glass, stainless steel, shiny fabrics, mirrors, aluminium, lacquer, inlaid wood, sharkskin, and zebra skin. [34] The use of harder, metallic materials was chosen to celebrate the machine age.
Modern wallpaper is made in long rolls which are hung vertically on a wall. Patterned wallpapers are designed so that the pattern "repeats", and thus pieces cut from the same roll can be hung next to each other so as to continue the pattern without it being easy to see where the join between two pieces occurs.
Maximalism in fashion is a vibrant and exuberant style that embraces bold colours, intricate patterns, and eclectic combinations. This aesthetic celebrates the idea of "more is more," encouraging individuals to express their creativity and personality through layered textures, diverse prints, and unexpected pairings.
Design for a hand woodblock printed textile, showing the complexity of the blocks used to make repeating patterns in the later 19th century. Tulip and Willow by William Morris, 1873. Woodblock printing on textiles is the process of printing patterns on fabrics, typically linen, cotton, or silk, by means of carved wooden blocks.
In 1931, John Perona (born Enrione Giovanni Perona in Chiaverano in the Province of Turin, Italy), [1] an Italian immigrant, with Martín de Alzaga [2] [3] opened El Morocco as a speakeasy at 154 East 54th Street, on the south side of 54th Street in the middle of the block between Lexington Avenue and Third Avenue, where the Citigroup Center now stands.
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