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A collection of vintage cast iron cookware. Most of the major manufacturers of cast iron cookware in the United States began production in the late 1800s or early 1900s. Cast-iron cookware and stoves were especially popular among homemakers and housekeepers during the first half of the 20th century.
Jadeite, “Jadite” or “Jade-ite” is a type of jade green opaque milk glass, originally popular in the United States in the early to mid-20th century.A blue milk glass called “Delphite” (Delfite, Jeannette Glass) and "Azur-ite" (Anchor Hocking) was also produced for several years.
A Hoosier cabinet is a stand-alone kitchen cabinet, often on small casters. It is considered an improved version of a baker's cabinet. A baker's cabinet is a table with one or more bins underneath. It has a small work surface and a shallower upper section on top of the table that was used for storing bowls, pans, and kitchen utensils.
The new process fused together the white body, color and glaze when it was fired at a temperature of 2,400 degrees Fahrenheit. The new glazes allowed the creation of brilliant colors never before seen on American china: 47 colors developed for the new process, which allowed for rapid expansion of the company and its product selections at the ...
Franciscan Ceramics are ceramic tableware and tile products produced by Gladding, McBean & Co. in Los Angeles, California, US from 1934 to 1962, International Pipe and Ceramics (Interpace) from 1962 to 1979, and Wedgwood from 1979 to 1983.
Maiolica charger from Faenza, after which faience is named, c. 1555; diameter 43 cm, tin-glazed earthenware Tin-glazed (majolica/maiolica) plate from Faenza, Italy. Tin-glazed pottery is earthenware covered in lead glaze with added tin oxide [1] which is white, shiny and opaque (see tin-glazing for the chemistry); usually this provides a background for brightly painted decoration.
In 1953 S. Donald Stookey of the Corning Research and Development Division accidentally discovered Pyroceram, a white glass-ceramic material capable of withstanding a thermal shock of up to 450 K (840 °F). He was working with photosensitive glass and placed a piece in a furnace, planning on heating it to 600 degrees Fahrenheit.
The factory had its origins in an official request made 8 September 1760 by the porcelain maker Georg Heinrich Macheleid (1723 -1801). Macheleid had long worked in the glass manufactory at Glücksthal and had gained the arcana of porcelain-making by his own researches, apparently independent of Ehrenfried Walther von Tschirnhaus and Johann Friedrich Böttger, the ceramists at Meissen.
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