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"Beautiful" is a song by Canadian singer-songwriter Gordon Lightfoot. This song, which is in the key of B major, first appeared on Lightfoot's 1972 LP Don Quixote and was the first of two singles released. The album's title track appeared on the B-side.
Walker says of the song, "The story behind Fake A Smile is a really fun one, a process that started almost over a year ago. A friend of mine from Dreamlab, who I worked with on "Different World" a few years ago, first sent me a top line and some simple chords.
"Intuition" is a song by American singer Jewel from her fifth studio album, 0304 (2003). The song was written and produced by Jewel and Lester Mendez. It was released on April 7, 2003, as the album's lead single. Following the club success of "Serve the Ego", Jewel shifted to a more pop-oriented sound with the release of "Intuition".
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
Arriving five years after a one-off EP and short promotional tour, the debut album from this trio comprised of indie-leaning singer-songwriters Phoebe Bridgers, Lucy Dacus and Julien Baker was one ...
"Instinction" is a song by Spandau Ballet whose original version was included on their second album Diamond as produced by Richard James Burgess. The song was written by band guitarist/songwriter Gary Kemp. A remix by Trevor Horn was released on 2 April 1982 as the last single from the album and reached number 10 on the UK Singles Chart. This ...
In an interview with HitQuarters, producer and co-writer JR Hutson described the genesis of the song, "We’d done a couple of other ideas just off the cuff ... and then as he was leaving I started playing those four chords that are in the beginning of the song. He put his bag down and began commenting on what I was playing.
In the bridge, specific notes (G♭, F, and F ♯) are highlighted to underscore certain words like "heart," "cry," "sad," and "why". The song concludes with a flute and bass flute duet, in octaves, echoing the verse's melody without bringing the piece to a traditional resolution. In Lambert's view, this leaves the listener with "no sense of ...