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Joan Fontcuberta (born 24 February 1955) [1] is a Spanish conceptual artist and photographer whose best-known works, such as Fauna and Sputnik, examine the truthfulness of photography. In addition, he is a writer, editor, teacher, and curator.
The Vancouver School of conceptual [1] or post-conceptual [2] photography (often referred to as photoconceptualism [3]) is a loose term applied to a grouping of artists from Vancouver starting in the 1980s. [1]
Conceptual Art,AI art Photography, Installation art, NFTs and generative art Kevin Abosch ( / ˈ eɪ b ɒ ʃ / AY -bosh ; [ 1 ] born 1969) is an Irish conceptual artist and pioneer in cryptoart [ 2 ] known for his works in photography, blockchain , sculpture, installation, AI and film.
Conceptual photography is a type of photography that illustrates an idea. There have been illustrative photographs made since the medium's invention, for example in the earliest staged photographs , such as Hippolyte Bayard's Self Portrait as a Drowned Man (1840).
Sophie Calle (French pronunciation: [sɔfi kal]; born 9 October 1953) [1] is a French writer, photographer, installation artist, and conceptual artist. [2] Daughter of the contemporary art collector Robert Calle, Calle's work is distinguished by its use of arbitrary sets of constraints, and evokes the French literary movement known as Oulipo ...
Anthony Barboza (born 1944 in New Bedford, Massachusetts) is a photographer, historian, artist and writer.With roots originating from Cape Verde, and work that began in commercial art more than forty years ago, Barboza's artistic talents and successful career helped him to cross over and pursue his passions in the fine arts where he continues to contribute to the American art scene.
Marco Brambilla (born 25 September 1966) is an Italian-born Canadian contemporary artist and film director, known for directing Demolition Man and Dinotopia as well as re-contextualizations of popular and found imagery, [1] and use of 3D imaging technologies in public installations and video art.
Emotional responses are often regarded as the keystone to experiencing art, and the creation of an emotional experience has been argued as the purpose of artistic expression. [2] Research has shown that the neurological underpinnings of perceiving art differ from those used in standard object recognition . [ 3 ]