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Joan Fontcuberta (born 24 February 1955) [1] is a Spanish conceptual artist and photographer whose best-known works, such as Fauna and Sputnik, examine the truthfulness of photography. In addition, he is a writer, editor, teacher, and curator.
Emotional responses are often regarded as the keystone to experiencing art, and the creation of an emotional experience has been argued as the purpose of artistic expression. [2] Research has shown that the neurological underpinnings of perceiving art differ from those used in standard object recognition . [ 3 ]
Dark is a German science fiction thriller television series co-created by the couple Baran bo Odar and Jantje Friese. [ 5 ] [ 6 ] [ 7 ] It ran for three seasons from 2017 to 2020. The story follows dysfunctional characters from the fictional town of Winden in Germany, as they pursue the truth in the aftermath of a child's disappearance.
Conceptual photography is a type of photography that illustrates an idea. There have been illustrative photographs made since the medium's invention, for example in the earliest staged photographs , such as Hippolyte Bayard's Self Portrait as a Drowned Man (1840).
Conceptual Art,AI art Photography, Installation art, NFTs and generative art Kevin Abosch ( / ˈ eɪ b ɒ ʃ / AY -bosh ; [ 1 ] born 1969) is an Irish conceptual artist and pioneer in cryptoart [ 2 ] known for his works in photography, blockchain , sculpture, installation, AI and film.
Sophie Calle (French pronunciation: [sɔfi kal]; born 9 October 1953) [1] is a French writer, photographer, installation artist, and conceptual artist. [2] Daughter of the contemporary art collector Robert Calle, Calle's work is distinguished by its use of arbitrary sets of constraints, and evokes the French literary movement known as Oulipo ...
The Vancouver School of conceptual [1] or post-conceptual [2] photography (often referred to as photoconceptualism [3]) is a loose term applied to a grouping of artists from Vancouver starting in the 1980s. [1]
Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it.