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Most of the works are from the period between 1760 and 1810, reflecting growth in public awareness about slavery. [1] Most of the poetry is antislavery, with a few exceptions including verse by John Saffin and James Boswell, who defended slavery as an institution. [1] Published in 2002 by Yale University Press, a revised edition was released in ...
Poems on Slavery is a collection of poems by American poet Henry Wadsworth Longfellow in support of the United States anti-slavery efforts. With one exception, the collection of poems were written at sea by Longfellow in October 1842. [1] The poems were reprinted as anti-slavery tracts two different times during 1843.
The Harlem Renaissance was an intellectual and cultural revival of African American life centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. A major aspect of this revival was poetry. [1] Hundreds of poems were written and published by African Americans during the era, which covered a wide variety of themes. [2]
Hammon's Address to the Negroes in the State of New-York, 1806. Jupiter Hammon (October 17, 1711 – c. 1806) [1] was an American writer who is known as a founder of African-American literature, as his poem published in 1761 in New York was the first by an African American man in North America.
Whitfield was born April 10 or 12, 1822, in Exeter, New Hampshire, to Nancy (Paul) of Exeter and Joseph Whitfield, who escaped from slavery in Virginia. [2] His mother Nancy was the daughter of Caesar Nero Paul, a man of African descent who was enslaved at the age of fourteen as a house-boy in the Maj. John Gilman House, and later became free in 1771 after capture in the French and Indian Wars ...
Although the Emancipation Proclamation declared that all enslaved people should be free in 1863, there were still enslaved people in many states awaiting their freedom. On June 19, 1865, Texas ...
An excerpt from the poem is on a wall of the Contemplative Court, a space for reflection in the Smithsonian's National Museum of African American History and Culture. The excerpt reads: "I ask no monument, proud and high to arrest the gaze of the passers-by; all that my yearning spirit craves is bury me not in a land of slaves." [8]
The New Negro: An Interpretation (1925) is an anthology of fiction, poetry, and essays on African and African-American art and literature edited by Alain Locke, who lived in Washington, DC, and taught at Howard University during the Harlem Renaissance. [1]