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Pages in category "19th-century portraits" The following 200 pages are in this category, out of approximately 212 total. ... Portrait of an Unknown Woman; Portrait of ...
Gallery of Beauties The Nymphenburg Palace seen from its park. The Gallery of Beauties (German: Schönheitengalerie) is a collection of 38 portraits of the most beautiful women from the nobility and bourgeoisie of Munich, Germany, gathered by King Ludwig I of Bavaria in the south pavilion of his Nymphenburg Palace. [1]
This is a timeline of women in photography tracing the major contributions women have made to both the development of photography and the outstanding photographs they have created over the 19th, 20th and 21st centuries.
Women artists of the early part of the 19th century include Marie-Denise Villers, who specialized in portraiture; Constance Mayer, who painted portraits and allegories; Marie Ellenrieder, who was noted mainly for her religious paintings in the Nazarene style; Louise-Adéone Drölling, who followed in the footsteps of her father and her older ...
A Woman of the Century: Fourteen Hundred Seventy Biographical Sketches, Accompanied by Portraits of Leading American Women, in all Walks of Life is a compendium of biographical sketches of American women. [1] It was published in 1893 by Charles Wells Moulton.
Madame X or Portrait of Madame X is a portrait painting by John Singer Sargent of a young socialite, Virginie Amélie Avegno Gautreau, wife of the French banker Pierre Gautreau. Madame X was painted not as a commission, but at the request of Sargent. [1] It is a study in opposition.
Woman Reading is a 19th-century (portrait painting) by Susan Macdowell Eakins. It is in the collection of the Metropolitan Museum of Art. [1] Woman Reading probably depicts the artist's sister Elizabeth Macdowell Kenton. It is one of Eakins' many portraits of her family members in interior settings. [1]
Furthermore, art historian Anne Higonnet argued in 2011 that the work is a self-portrait. [6] Villers exhibited Study of a young woman sitting on a window and two other works at the Salon of 1801, followed at the Salon of 1802 by a genre painting entitled A child in its cradle and A Study of a Woman from Nature. [7]
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