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Unwound's self-produced seventh album, Leaves Turn Inside You (2001), was the band's only double album, and saw the band stylistically shift into post-rock and avant-garde territory; it was critically acclaimed and later appeared on several best-of album lists of the 2000s.
Unwound is the fourth studio album by the American post-hardcore band Unwound, released on August 28, 1995. It was the first album recorded by the band and was originally intended to be their debut, but was eventually pushed back three years later.
Leaves Turn Inside You is the seventh and final studio album by the American post-hardcore band Unwound, released on April 17, 2001 by Kill Rock Stars. The album received critical acclaim from several music publications, both contemporarily and after its original release, following later reissues by Numero Group. Marking the return of original ...
A Single History: 1991–1997 is a compilation album by Unwound released on Kill Rock Stars. It contains tracks previously released on various 7-inch singles and multiple-artist compilations. "Crab Nebula" and "Stumbling Block" originally appeared on the band's 1991 demo tape.
Fake Train is the debut studio album by the American post-hardcore band Unwound, released on July 7, 1993, ... Unwound. Justin Trosper – lead vocals, guitar;
Repetition is the fifth studio album by the American post-hardcore band Unwound, released on April 9, 1996 by Kill Rock Stars. It was recorded in January 1996 at John and Stu's Place in Seattle, Washington and produced by Steve Fisk and John Goodmanson. The album has been hailed as a masterpiece among those in the punk rock scene. [3]
PHILADELPHIA — In Game 3 of the 2022 World Series, the Philadelphia Phillies tied a series record with five home runs. In Game 3 of the 2023 NLDS, they tied an MLB postseason record with six ...
The album was recorded in between from November 26–28 and December 13, 1993 at Avast! Studios in Seattle, Washington.As pointed out in The Vinyl Factory's review for the album, New Plastic Ideas is a somewhat a step away from the feedback-ridden sound of its predecessor Fake Train and focuses more on melody and odd time signatures, [2] although the band has stated that this was unintentional.
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